RECOVERY, EMOTION, DANCE, PHOTOS, AND TUNES.
NO ANESTHESIA. NO BULLSHIT.
A full-length exposure-therapy photowalk down Cornwall Ave with a 40mm lens and no agenda.
A feral meditation and interpretive dance about shadow, surrender, and radical love. “Devastate Me” is a vow to keep giving my heart—no armor, no regrets—even when it breaks.
A 5.7-mile loop through Bellingham, chasing circles instead of destinations—abstract color, quiet focus, and the joy of noticing what’s been there all along.
A black-and-white photo journey through the Tacoma glass museum with a very special woman I have loved for a very long time. We are reconnected and have a wonderful relationship.
A black and white photowalk through downtown and the Bellingham waterfront, chasing lines, contrast, and quiet geometry.
After four years of silence, I took my body back—at night, on a downtown parkade, dancing without permission or apology. This wasn’t nostalgia. This was recovery in motion. A declaration that joy, movement, and instinct get to live here again. Free as a fucking bird.
A 12.8-mile photo walk through Bellingham became more than a color study in orange, it became a marker of recovery. Long-distance walking helps regulate my nervous system and acts as somatic exposure therapy, keeping me engaged with the world instead of retreating from it. Thirty days ago I threw away my cannabis, and I’m about to cross the longest stretch I’ve been sober off everything in 24 years. One camera, one focal length, and forward motion. This wasn’t about chasing images. It was about clarity, presence, and recovery in real time.
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